MELTING WINDOW
Sammie Correa, Giulia Degasperi, Grace Dodds, Danielle Draik, Garet Edwards, Travis Flack, S. Maiden, Michael McFadden, Landon McKinley, Meghann Mignona, Jasper Muse, Queenie Si, Sean Taal, and Ezra Williamson
curated by Dylan Hausthor
Sammie Correa, Te Bendiga, 2025, Archival Inkjet print, 36 x 45 inches
Giulia Degasperi, Observations On A Cow, 2024, Black and white film, 9.45 x 11.80 inches
Grace Dodds, Untitled (Double), 2012/2020, Archival inkjet print, 16 x 20 inches
Danielle Draik, Astral Projection and the Energy Grid, 2023, Thermochromic collage, 3.5 x 6 inches
Garet Edwards, Bath, 2022, Inkjet print on transparency, 7.5 x 10 inches
Travis Flack, Purified, 2024, Photograph, 13 x 19 inches
S. Maiden, A Constellation, 2024, Archival inkjet print, 8 x 10 inches
Michael McFadden, Untitled (Mike & Steve), 2017, Archival pigment print, 30 x 22.5 inches
Landon McKinley, ONE dog, ONE hound, 2024, Gelatin silver print, 14 x 11 inches
Meghann Mignogna, Not Yet, 2025, Colored pencil on black paper, 8.5 x 11 inches
Jasper Muse, Catastrophe, 2024, Archival inkjet print, 8 x 12 inches
Queenie Si, Masks, 2022, Gelatin silver print, 16 x 20 inches
Sean Taal, Embraced, 2022, Collage and graphite on paper, 19.25 x 30.25 inches
Sean Taal, Hot Bath Body, 2022, Collage and graphite on paper, 25 x 16.25 inches
Ezra Williamson, Doe Bird, 2025, 35mm film, digital double exposure, Dimensions vary
CURATORS’ STATEMENT
There is power in hiding and there is power in uncovering. Artists are so competent at holding this delicate dichotomy—at maintaining our power even when it is being so explicitly threatened. So how do we look at the networks of visibility that threaten to enshroud us while staying inside ourselves? These artists use gauze, lace, and light—not to obscure, but to shine.