THIN HOURS
Milos Anger, Annemarie Deckers, Stacy Howe, Natalie Jacobs, Rebecca Jansson, Jimena Montañéz, and Gail Rickards
curated by Annika Earley
Milos Anger, Day 299, “Inside a House During a Storm at Sea,” 2025, Digital Drawing, dimensions vary
Milos Anger, Day 116, “Tree in the Night,” 2025 Digital Drawing, dimensions vary
Annemarie Deckers, Dance, 2025, photography (digital), dimensions vary
Annemarie Deckers, Escape, 2025, photography (digital), dimensions vary
Stacy Howe, Horse Portal in the Office, 2024, pencil & ink on paper, 11 x 8 inches
Stacy Howe, Surrealist Waiting Room Cliche, 2024, pencil, ink, & charcoal on paper, 8 x 11 inches
Natalie Jacobs, At Times There Was Sun, Then Shadow Again, 2025, Etching with Aquatint. 8.5 x 11.5 inches
Natalie Jacobs, They Lead Nowhere, Except Perhaps to a Kind of Freedom, 2025, Etching with Aquatint, 8.5 x 11.5 inches
Rebecca Jansson, Hold, 2025, Graphite pencil on paper, 7 x 11 inches
Rebecca Jansson, Drawing #5 (Leaning House), 2025, Graphite pencil on paper mounted on 3 mm mdf, 12 x 20 inches
Jimena Montañéz, Hat on a chair from a book with a slipper, 2024, Papier-mâché, 72 x 20 x 20 inches
Jimena Montañéz, Looking away from a beast with book, 2025, Papier-mâché, 18 x 11 x 12 inches
Gail Rickards, REFLECTOR, 2025, acrylic and silver gray metallic paint on paper, 6.25 x 8.50 inches
Gail Rickards, TREASURE HUNTER, 2025, acrylic and silver gray metallic paint on paper, 13.50 x 8.50 inches
CURATOR’S STATEMENT
Thin Hours brings together seven artists from the US and abroad whose work addresses the uncanny, the surreal, and the mysterious. Floating limbs, unexpected animal encounters, and eerie environments bring to mind the time of year when the veil between this world and the next feels especially permeable.