Nell Alcraft, Parade, 2024, Sumi ink on paper, 19.6 x 19.6 inches
allison anne, Untitled (4th Suture), 2023, Handcut paper collage on cardstock, 6 x 9 inches
Kathryn Blommel, Growing Pains, 2024, Charcoal and graphite on paper, 44 x 30 inches
Maria Chodzinska, The Notebook (The Village and Windows), 2022, Raku fired ceramics, steel bases, 12.4 x 14.6 x 9.5 inches
Ana Garces Kiley, Man Of War, 2019, Ink, thread, organza, and lutador, 20 x 84 inches with 55 inch train
Harley Ngai Grieco, Lattice 4A, 2023, Double-exposed film printed as archival inkjet print, 20 x 20 inches
Chandler Hubbard, A Funeral Home For Fish, 2023, Inkjet print, 16 x 20 inches
Michael Kareken, Night Reflections III, 2024, Conte crayon on duralar, 24 x 32 inches
Caressa Layne, And You Can Be Cunning, 2024, Paper, ink, thread, linen, wood, 8 x 8 inches
Amanda Lechner, That's Real, 2024, Graphite on paper, 9 x 12 inches
Kadence Lewis, Such A Strange Numb, 2024, Woodcut, 29 x 53 inches
Jessie McClanahan, The Miners, 2024, Coal, porcelain cast cicada shells, insect pins, 84 x 36 inches
Molly McIntyre, Go To Sleep, 2024, Cut paper, 16 x 12 inches
Sarah Pedry, Cumbria PM: Watching the Clouds Roll In, 2023, Ink on paper, 5.5 x 8 inches
Jerry Slough, Los Angeles Contemplation, 2023, C-print, 11 x 14 inches
Ven Zhu, For Warmth, 2024, Lithograph with chine collé on western paper, 22 x 30 inches
CURATORS’ STATEMENT
In the absence of color, black-and-white artwork evokes a special immediacy to an image. And because this is an online exhibit, from all the beautiful works to choose from, I was drawn to works that read well for an on-screen experience. The selected works made me curious to pause and learn about the medium and its process or ponder the suggestive narrative delivered in a voice that felt singular.
- Leeah Joo,
*Notan is a Japanese design term that means 'light/dark and harmony/balance using only black and white